German
Johannes Kreidler Composer

Oscillations (2021)

sound wave images

Catalogue

Oscilloscopes 23 Alu-Dibond with hand-painted Glaze, 80 x 80 cm

 

Oscilloscopes 20 Alu-Dibond with hand-painted Glaze, 80 x 80 cm

 

Oscilloscopes 15 Alu-Dibond with hand-painted Glaze, 80 x 80 cm

 

Oscilloscopes 7 Alu-Dibond with hand-painted Glaze, 80 x 80 cm

 

Oscilloscopes 17b Alu-Dibond with hand-painted Glaze, 80 x 80 cm

 

Oscilloscopes 17f Alu-Dibond with hand-painted Glaze, 80 x 80 cm

 

Twice White Noise Alu-Dibond with hand-painted Glaze, 100 x 100 cm

 

Slash Alu-Dibond with hand-painted Glaze, 290 x 120 cm

 

Crescendo Alu-Dibond with hand-painted Glaze, 360 x 150 cm

 

Leaving a Margin Alu-Dibond with hand-painted Glaze, 290 x 120 cm

 

Hemiunu's Material (Great Pyramid of Giza) Canvas print and hand hand-painted Glaze, 85 x 100 cm

 

Self Portrait with Sound Waves Canvas print with hand-painted Glaze, 66 x 80 cm

 

Mansion Canvas print with hand-painted Glaze, 80 x 120 cm

 

Crosswaves (Upright) 3 Canvas print with hand-painted Glaze, 150 x 35 cm

 

Crosswaves (Upright) 1-3 Canvas print with hand-painted Glaze, each 150 x 35 cm

 

Voice Recorder 1 Canvas print with hand-painted Glaze, 150 x 200 cm

 

Voice Recorder 2 Canvas print with hand-painted Glaze, 200 x 132 cm

 

Voice Recorder 3 Canvas print with hand-painted Glaze, 163 x 108 cm

 

Voice Recorder 4 Canvas print with hand-painted Glaze, Diptychon, twice 180 x 105 cm

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Orchestrated
What does music look like? What is the shape of air? It is not art that can make this kind of thing visible, but measuring instruments – but art can open up the visually immensely rich fund. The diversity of sound also corresponds to a diversity of visible waves.
Johannes Kreidler makes this pool his own, driving it from measurement into the aesthetic extatic. First he makes recordings with instruments and professional singers, creates a sample palette from the softest noise to booming opera sound. His pen is the cello bow, his brush the vocal cords. He then uses it to set pictorial subjects in vibration.

Where sound waves intersect, the past and the future meet, the time axes, which, as sound, swing out into periodicity and noise. Just as van Gogh's brushstroke in the "Starry Night" captures the atmospheric pulsations, Kreidler's technique draws the vibrations of voices and instruments into the picture, between wild manifestation and fragile mobility; the image of sound interlocks to form a new object.

 

related works:
Twosoundwaves
Sheet Music
Sheet Music 2